Everyone else’s reviews on here pretty much say what I would say, however, I wanted to add that that music score is quite impressive. I usually don’t listen to the music in a film unless it strikes me and this one stuck me as being more than just boring background music. Also, the lighting they used really gave the movie a unique feel. It seemed like everyone was lit up brightly with a light right in their face. It added much needed color to the film. Without the color and music, this movie would have been very drab. Also, the "horror" nature of this film focuses on rape more than anything gory or gross. The rape scene with the maid was too much for me to watch, I had to close my eyes. It seemed to go on forever. Quite unsettling and distasteful. And the ape suit guy was hilarious. Very far from the "superior race" of people the doctor thought he was creating. It seemed like just a dumb ape to me.3/10 because of the music, lighting and unintentional humor.
OK, so the plot is risible, the acting woeful, and the production values worthy of Ed Wood. However this early Eurocine outing is a great "B" movie- at least for those who understand cinematic irony.Crumbling castles, dandyesque clothing and buxom wenches all give it the authentic sexploitation feel. The camera angles add that dangerous and unpredictable quality that only lovers of bad movies can really appreciate.More than that, the film is best known for the most famous bush in cinematic history, that of Brigitte Carva. Oh for the days when women were not just plastic-packed crotch-shaven dollies! The women in this film are real, and the creaking plot makes their naked exploits all the more impressive. For collectors of the genre (or admirers of the hirsute), this B-flick is a must. The plot is only marginally of relevance.
I always assumed that it was Jess Franco who had a monopoly on this type of cinema, namely: the routine euro-exploitation flicks with an always-returning villain (Dr. Orloff), absurd story lines (invisible ape-creatures??), truckloads of sleaze and absolutely no logic at all. Every small detail in "Orloff Against the Invisible Man" has got Franco’s name written all over it, so it was quite a surprise to find out that he actually hasn’t got anything to do with it. But still Franco admirers don’t have to fear that this will be a ‘soft’ film, because director Pierre Chevalier proves himself to be "Godfather of Sleaze" as well and his movie is delightfully trashy and nonsensical. Howard Vernon (normally a Franco-regular as well) stars as a totally insane man of science who created an invisible monster, supposedly for his daughter that got traumatized after being buried alive when she was 16. How exactly this creation helps the poor girl’s situation is entirely beside t…
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